2014 Grand Prize Estonian Press Photo, airplane, Annika Haas, C-Prints, Christenberry, color photos, complex human stories, dacha, documentary photography, Eggleston, Estonia, fine art photographer, gardens, Honorable Mention 2012 FotoWeekDC International Awards Competition, latitude negative film, Ljubitel camera, photo portraits, photojournalism, plane watchers, Tallinn, touchstone gallery, USA Embassy of Estonia
Photographer and Touchstone Gallery Guest Artist Annika Haas lives and works in Estonia, a small country located between Latvia and the Gulfs of Finland and Riga—a cool, but fertile land. Annika grew up there and received her BA from the University of Tartu in Finno-Ugric languages. Subsequently she studied photo journalism in Tartu. Traveling to London provided her with the chance to continue studies at the Photo Opportunity Studios and foto8 gallery.
A member of the board Estonian Association of Press photographers, she has entered and won many contests. The latest being 2014 Grand Prize for Estonian Press Photo. In 2012, she received Honorable Mention in the 2012 FotoWeekDC International Awards Competition, Washington DC, USA. For a complete list of exhibition and awards visit her website at www.annikahaas.com.
Annika’s work includes several series: Gypsies in Estonia, portraits, landscapes, Lake Peipus Russian Old Believers, and why some people are bald and others not. These series are in color, while Underground bar scene works are shot in black and white. Annika eshews the computer and uses a Ljubitel camera and latitude negative film to make chromogenic colour prints (C-prints).
Annika’s Touchstone solo “Plane Watchers” are a series of photographs that follows the extinction of the last of the Soviets in Estonia who are being displaced from their 54 year old little dachas and gardens so that the Tallinn Airport runways can be expanded. Began in 2010, the series contains both portraits and documentary photos. It reflects the conflict between the followers of a fading era and a new social order pressing down on them. “It shows how a group of people hangs on to the past in the teeth of the new rules,” Annika explains. The complex human stories in this exhibit may remind viewers of similar work produced by William Eggleston and Washington DC’s William Christenberry who document the lives of people of the southern United States.
Annika’s works are sponsored by the Embassy of Estonia in Washington and can be seen from December 5-28, 2014 at Touchstone Gallery, 901 New York Ave NW, Washington DC. www.touchstonegallery.com; email@example.com. Rosemary Luckett, Annika Haas